Sorry for the blogging break. It's been a busy few weeks. Good for my bank account, not so good for the blog. But let's jump back into it with a quick run down of a few things I've been enjoying lately.
First, I saw The Last Jedi on Friday and thoroughly enjoyed it. It was a little long, and some plot elements dragged (too many storylines), but the scenes with Luke, Rey, and Kylo Ren/Ben blew me away. They just absolutely shine in this movie and I only wish more screen-time had been devoted to their characters. I'm probably going to see The Last Jedi again just so I can watch more of Mark Hammill. Maybe it's all the voice acting he's done in the last thirty years, but he's become a damn good actor and it wouldn't surprise me if he had a bit of a career renaissance after this movie. Anyway, that's all I want to say because I don't want to spoil it for anyone, but go see Star Wars if you haven't already. It's a solid movie with some excellent scenes.
Next up, Alias Grace (the polar opposite of Star Wars). This Netflix miniseries is based on the novel by Margaret Atwood (author of The Handmaid's Tale), about a maid in 19th century Canada who is accused of murdering her employers. The story's told by the maid, Grace (played by the incredible Sarah Gadon), to a psychiatrist while she's serving a life sentence. What we don't know is whether she's telling the truth, lying, or is simply insane. The acting and cinematography completely sucked me into the story and I more or less binge-watched all six episodes. Now I may even have to read the book. It's hard to say exactly what makes it so compelling, because it's a fairly simple plot. A combination of excellent storytelling and acting, I guess. Some of my favorite books and movies are structured around a character telling a story to another character, so that's something to think about...
Anyway, that's two movie/TV show recommendations for you that could not be more different, but both excellent in their own ways.
In terms of reading, the best books I've read lately were Everything I Never Told You by Celeste Ng and Winesburg Ohio by Sherwood Anderson, both recommendations by my friend who leads our book club. Winesburg Ohio is a series of interconnected vignettes that explore the darkness of small town America and the people who live there. Apple pie Americana this is not. If you want to learn how to write and build characters, and how to use details to surprise and unsettle the reader, then Winesburg Ohio is your book.
Everything I Never Told You is also a character driven novel as well as a thriller about a family grappling with the death of their favorite daughter. As they seek to find out why she died, we see how deferred dreams and wishes have affected the parents and their children, and what it's like to be Asian American and a biracial family in a predominately white community. I really felt something for each character in this book, which speaks to Ng's skill as a writer. My only criticism is that the ending wraps up a little too quickly and neatly, but I think that has more to do with the failings of the thriller genre than anything else. I speed-read this book, so if you're looking for a compelling, well-written novel, Everything I Never Told You would be a great choice.
Well that's it for today. See you again next week and Happy Holidays!
So I finally decided to write a story I've been kicking around in my head for a while and published the first part on Amazon yesterday. It's called The Ice Girl, and it's your not-so typical hockey romance novel. I like to think of it as When Harry Met Sally goes to Russia. It's not literature, but I think it's kind of fun. I'm going to be publishing the book in serial format, chapter by chapter every 2 weeks, and then compile them at the end into a full book. Here's the blurb for part 1:
Fresh from a breakup with her Czech hockey star boyfriend, Lora travels to Russia to stay with a friend and get her life back on track. “I can’t keep doing this. I’m only 19. I don’t have to be a puck bunny forever.” But without speaking Russian, there are few options for Lora and so she takes a job as an ice girl with the local KHL team. Promising herself she’ll be good and not fall for another player, she’s excited to get back on the ice where she really belongs. But a chance encounter threatens to turn her life upside down all over again. Will Lora ever learn? And can an American make it in Russia? Find out in Part 1 of The Ice Girl.
If it sounds like something you might enjoy, check it out. It's only $0.99. Plus I'll be running giveaway days so you can download it for free, which you can find out about by signing up for my newsletter in the form at the top of the page. Don't worry, I won't spam. Just want to give my Wordly-Bird readers a chance to save some money.
And if you read and happen to like it, a review would be much appreciated! It really helps support my author page on Amazon.
Ok, self-promotion time over. Thanks for listening!
We made it folks. Another week in the books. Another glorious weekend ahead full of possibilities. T and I may check out a rock climbing gym in Raleigh. Maybe we'll swing by the shops at Pittsboro while we're over there.
In the meantime, here's some suggested links for your weekend reading (or to get you through to the end of Friday, whichever):
I didn't know The Martian was originally published as a free serial story on the author's website. Very cool, I've often wondered how that would work. Gotta say though, if that picture of Matt Damon is going to be the next book cover, I better hurry up and buy a copy before they start replacing the 1st edition. Sorry Matt, I just don't want to look at your face each night. (Kirkus via @sfsignal)
Good writing and publishing tips from this year's Marie Claire Debut Novel Award Winner, Claire Douglas. I like numbers 1,2, and 7 the most (Marie Claire)
Famous nerds share their favorite books (Mental Floss via @goodreads)
I really want to see this movie, Grandma, with Lily Tomlin. Here's the trailer. (NY Times)
How to be powerful, or seem that way, anyway. (NY Times)
Grad school debt forgiveness? As someone who has made major life choices in large part to avoid massive student loans, I have strong feelings about this issue. I would have loved to get an M.F.A., but I didn't think I could afford the debt. Even now, law school sounds interesting to me, but again, I just can't justify the cost to myself (also must fight the urge to be a perpetual student). It sucks that these programs are so ridiculously unaffordable, but if you decide it's worth it to you...shouldn't you be responsible for that financial burden too? Like I said, touchy topic for me, so I'm sorry if that sounds harsh. I'm sure living with $100,000+ student debt is the definition of stress, but when people fully admit that they never had any intention of paying for it in the first place? Well, I don't think we should tolerate or encourage that type of behavior with debt-forgiveness programs. (Wall Street Journal)
I feel like I’ve been a little hard on several writers and filmmakers lately. It was never my intention to start a blog in order to publicly denigrate certain works of fiction, but part of me feels like it’s important to take a stand against that toxic combination of bad art and herd-thinking. Well-written, emotionally anchored books are being routinely passed over for superficial prose and worst of all, hype.
Stories don’t have to be serious to be good, and they don’t even have to take themselves very seriously, but when an author emotionally and artistically stunts their own work for what they think the audience can handle (and I’m looking at you YA), that’s when I call foul, because what legitimate justification could there ever be for writing poorly…on purpose? Why would you disrespect your reader like that?
I've discussed Ready Player One before, but it recently occurred to me that it really is YA masquerading as sci-fi, which may be part of the reason I hate it so much. And no, I don’t think there’s any redeeming YA written in the last 20 years. I'm told Are You There God, It's Me Margaret is good, though I've never read it, and frankly it doesn't sound anything like modern YA.
I think modern YA can be defined as genre literature (Fantasy, Science Fiction, Romance) written for readers with low (and lowering) prose standards. Marketers would have us believe it's truly for "young adults" as the name would imply, but a good book could and should be read by anyone. There’s no reason thirteen-year-olds need their own special genre of bad fiction, and certainly no reason why adults should be reading it as well (what the heck is up with the popularity of middle-aged women reading Twighlight?). Blame publishers? E-readers? Schools? I don’t know, you still have to write bad fiction to publish it, so ultimately it’s the writers' responsibility to prevent the collapse of good fiction.
To combat this trend, I’d like to recommend some books that can be enjoyed by young readers without insulting their intelligence. These are books I’ve read, loved, and found occasionally in the young adults section of my hometown library, though they pander to no one. I’m just tired of these sorts of books being overlooked in favor of whatever fad of the month is out (see The Hunger Games, Divergent, Twilight, The Fault in Our Stars, etc.)
A few of these books I'm recommending were made in fact made into movies, so it's arguable how overlooked they are, but I don’t think any of them were very successful films due to a combination of audience and marketing apathy. Let's change that by going back to the original source.
A Primate’s Memoir - A work of nonfiction by the MacArthur genius grant winner, Robert M. Sapolsky, who recounts his experiences studying a troop of baboons in Africa. If you liked Never Cry Wolf (or the excellent movie) you'll like this one. You may have heard of Sapolsky's other book, Why Zebra's Don't Get Ulcers, which is about the biology of stress, but I think his memoir is really something special. It's funny and moving. I laughed out loud and read sections to my husband, and for once he actually laughed too. It also hurts to read, especially when Sapolsky describes what eventually happened to those baboons. I remember taking a long shuddering sigh as I had to hold back some tears at one particular line. I gave this book to family members last Christmas and the ones that read it reported having the same experiences. It's also led to a long-time fascination of baboons for me, a breed that Sapolsky describes as less like the noble chimps of Jane Goodall than as rednecks of the primate family.
Starman Jones – Heinlein’s fiction can get a little juvenile and overly simplistic at times (I found Have Spacesuit, Will Travel incredibly tedious), but when he hit the mark, he hit it well. Starman Jones taps into whatever need we have in our psyche to watch characters more or less go to school (see Harry Potter), although technically the main character doesn't go to a school in the classic sense. Rather, he rises up from ozark hillbilly to an interstellar navigator through a star-ship apprenticeship, in which he excels because of his practical values, work ethic, and superior slide-ruler mathematics skills. It's classic science fiction, fun and well-written, and it never takes itself too seriously, which is probably how it made it onto this list. It's ok to read for fun, it just shouldn't read as if an eighth-grader wrote it. Heinlein's clear prose, likable characters, and thought-provoking futurism raise it a notch above pulpy sci-fi. A good book for boys too. My husband, who I think would describe even himself as a reluctant reader, enjoys Heinlein quite a bit.
The Perks of Being a Wallflower - This one was made into a movie, but I didn't see it because I knew it couldn't compete with my love for the book. It's short, a novella really, but it's also one of those rare books that has a voice that teenagers recognize as one of their own. The loneliness and isolation of starting high school, and then the redemption at finding one's group or place is all that more or less makes up the plot, but it's more than sufficient to lock you into a single-sitting read. The narrator is a 90's era Holden Caulfield, only more sensitive. He's young, a reader and writer, and his empathy is practically his own undoing. You wonder if he's going to be alright because he can't help but see and feel not just his own pain, but his family's, his friends', his teachers', etc. because he's intensely observational. It's an important book that I think should be read by every kid just so they know they aren't alone in feeling the way they invariably will at some point growing up.
Girl with a Pearl Earring – A fictionalized account of the story behind Jan Vermeer’s famous painting of the same name, told in the soft, distinct, and sadly intelligent voice of the young maid who is the model for that painting. This is how you do sexual tension, folks. How you build up characters to the edge of sympathy and then let them disappoint you. Why is that good writing? Because it makes you feel something other than just your own prurient needs, something that I think most YA isn't even trying to accomplish. The author, Tracy Chevalier, does an excellent job of both describing and showing how different characters relate to visual beauty. I think that's incredibly difficult to do with only words and no pictures besides the eponymous book cover.
I've reread several of these books fairly recently and I think they hold up. I Ioved them when I was fifteen, so if you have a young reader in your life, consider passing on the recommendation. These books will certainly have a greater and longer lasting impact than today's sad YA fiction.
Hope everyone is all set to have a great weekend. T and I are driving up to Maryland for some family time. We may go sailing if the wind cooperates, fingers-crossed.
In the meantime, here are some interesting articles from the web this week that are worth a read.
How do you maintain tension in a story? (Ploughshares via @JanetUrsel )
I didn't know Dr. Seuss was a perfectionist. (WaPo)
He also has a posthumous book out this week.
Interesting discussion with Samuel Delany on the state of science fiction and minority writers. (The New Yorker)
Is it ok to admit that we prefer genre writing to the literary cannon? (The New Yorker. This one is a few years old, but the Delany interview reminded me of it).
After listening to an awesome story on This American Life about the differences between American and Japanese car manufacturing, I kind of want to read this book now.
This made me laugh. Do you have an opinion on vocal fry? I'm generally not in favor of telling women what to do with their bodies, reproductive, vocal, or otherwise. (WaPo)
Bonus pics of what we did last weekend, Jordan Lake with the pup:
Writing Streak: 0 days
My Books on Amazon: